First United Methodist Church
64 West Chocolate Avenue, Hershey
Time elapsed video from the installation, Tuesday, 9/14 to Friday 10/1/2010
Létourneau organ, opus 121, 2010 - 41 ranks, 2,256 pipes
Specifications
Great Organ
| 16’ Lieblich Gedackt | (from Choir) | |
| 8’ Open Diapason | (1-25 (+6 dummies) in façade, 70% tin) | 61 pipes |
| 8’ Chimney Flute | (1-12 wood and 13-61 40% tin) | 61 pipes |
| 4’ Principal | (70% tin) | 61 pipes |
| 4’ Harmonic Flute | (56% tin) | 61 pipes |
| 2’ Fifteenth | (56% tin) | 61 pipes |
| 1 1/3’ Mixture IV-V | (19-22-26-29, 56% tin) | 288 pipes |
| 16’ Bassoon-Oboe | (from Swell) | |
| 8’ Trumpet harmonic | (56% tin) | 66 pipes |
| 8’ Festival Trumpet | (from Choir) | |
| Chimes | (from Choir) | |
| Zimbelstern | (digital - enclosed with Choir) | |
| Tremulant | ||
| MIDI on Great |
Swell Organ
| 8’ Gamba | (from former Kilgen organ, revoiced) | 61 pipes |
| 8’ Voix Celeste | (from former Kilgen organ, revoiced) | 61 pipes |
| 8’ Bourdon | (1-12 wood & 13-61 40% tin) | 61 pipes |
| 4’ Principal | (56% tin) | 61 pipes |
| 4’ Spire Flute | (40% tin) | 61 pipes |
| 2 2/3’ Nazard | (40% tin) | 61 pipes |
| 2’ Flageolet | (40% tin) | 61 pipes |
| 1 3/5’ Tierce | (40% tin) | 61 pipes |
| 2’ Mixture III-IV | (15-19-22, 56% tin) | 232 pipes |
| 16’ Bassoon-Oboe | (ext. of 8′) | 12 pipes |
| 8’ Trumpet | (harmonic, 56% tin) | 66 pipes |
| 8’ Oboe | (from former Kilgen organ, revoiced) | 61 pipes |
| 8’ Festival Trumpet | (from Choir) | |
| Tremulant | ||
| MIDI on Swell |
Choir organ
| 16’ Lieblich Gedackt | ext. of 8′, wood | 12 pipes |
| 8’ Gemshorn | (from former Kilgen organ, revoiced) | 61 pipes |
| 8’ Gemshorn Celeste | from C13 | 49 pipes |
| 8’ Lieblich Gedackt | (1-49 wood and 51-61 40% tin) | 61 pipes |
| 4’ Principal | (56% tin) | 61 pipes |
| 4’ Spindle Flute | (from former Kilgen organ, revoiced) | 61 pipes |
| 2’ Fifteenth | (56% tin) | 61 pipes |
| 1 1/3’ Larigot | (40% tin) | 61 pipes |
| 8’ Clarinet | (from former Kilgen organ, revoiced) | 61 pipes |
| 8’ Festival Trumpet | (hooded, harmonic trebles, zinc and 56% tin) | 66 pipes |
| Chimes | (digital) | |
| Harp | (digital) | |
| Tremulant | ||
| MIDI on Choir |
Pedal organ
| 32’ Bourdon | (digital) | |
| 16’ Contrabass | (56% tin) | 32 pipes |
| 16’ Subbass | (from former Kilgen organ, revoiced) | 32 pipes |
| 16’ Lieblich Gedackt | (from Choir) | |
| 8’ Principal | (1-25 (+6 dummies) façade, 70% tin) | 32 pipes |
| 8’ Bass Flute | (extended from 16’ Subbass) | 12 pipes |
| 8’ Lieblich Gedackt | (from Choir) | |
| 4’ Choral Bass | (56% tin) | 32 pipes |
| 32’ Contra Fagotto | (digital) | |
| 16’ Trombone | (from former Kilgen organ, revoiced) | 32 pipes |
| 16’ Bassoon | (from Swell) | |
| 8’ Trumpet | (ext of 16′) | 12 pipes |
| 4′ Oboe | (from Swell) | |
| 8’ Festival Trumpet | (from Choir) | |
| Chimes | (from Choir) | |
| MIDI on Pedal |
Couplers
| 8’ Great to Pedal | 16’ Swell to Choir |
| 4’ Great to Pedal | 8’ Swell to Choir |
| 8’ Swell to Pedal | 4’ Swell to Choir |
| 4’ Swell to Pedal | 16’ Choir to Choir |
| 8’ Choir to Pedal | Choir Unison Off |
| 4’ Choir to Pedal | 4’ Choir to Choir |
| 16’ Swell to Great | 16’ Choir to Great |
| 8’ Swell to Great | 8’ Choir to Great |
| 4’ Swell to Great | 4’ Choir to Great |
| 16’ Great to Great | 16’ Swell to Swell |
| Great Unison Off | Swell Unison Off |
| 4’ Great to Great | 4’ Swell to Swell |
Combination Pistons
6 divisional affecting Great Stops
6 divisional affecting Swell Stops
6 divisional affecting Choir Stops
6 divisional affecting Pedal Stops
10 generals and 1 canceller affecting entire organ
Pedal combinations and general combinations duplicated by toe studs.
Piston and toe stud reversibles for Swell, Choir and Great to Pedal
Piston reversibles for Swell to Great, Choir to Great and Swell to Choir
Toe stud reversibles for 32' Bourdon, 32' Contra Fagotto and Zimbelstern
Sforzando piston and toe stud reversible (can be set on each memory level)
Crescendo pedal (30 stages) also programmable Alternate Crescendo
64 levels of memory
Manual Transfer between Great and Choir manuals (with indicator light) affecting all relevant pistons.
Complete MIDI compatibility, including the ability for the organ to be played from a MIDI-compatible keyboard or sequencer and the ability for the organ console to play a MIDI-compatible electronic instrument.
Transposer, enabling pitch transpositions up or down seven semi-tones.
Record and Playback device.
Visit the church website: firstumchershey.org
